There have been so many inches of digital ink already handed over to why Frozen managed to become a phenomenon, but why not spend a few more?
For my money it’s an odd combination of things, but most especially, it is a case of the formula clicking back into place. Adaptation of a fairy tale? CHECK. Songs Written By A Top Tier Broadway Talent that Broadway isn’t exactly sure what to do with? CHECK. Innovating and exciting animation sequences? CHECK. Memorable characters voiced by top tier talent? CHECKARONI!
Frozen managed to scratch an itch that a lot of people, especially the parents of young girls, and those young girls themselves, didn’t realize they had. I also happen to love it because it’s message of finding your place in the mess and sisterly love came around at a time that I really needed both of those things. Also it was the year I fell back in love with Disney World, so that didn’t hurt.
My own experience is so marginal though, because this movie belongs so thoroughly to the kids that fell in love with it on sight, the way people my age did with The Little Mermaid. There’s just something endearingly special about it, the kind of alchemy of right place and time that really creates something magical and special and of it’s moment.
I mean, it also doesn’t hurt to have a knock down, drag out show stopping musical number performed by a world class, unique talent. I am of course speaking of Jonathan Groff’s timeless rendition of “Reindeers Are Better Than People.”
I’m kidding, obviously, “Let It Go,” is an exceptional musical theater song performed by one of the all time greats, Idina Menzel. I’ve always been impressed by the way Robert and Kristen Lopez utilized her voice in the song, somehow managing to take the incredible range she showed in “Defying Gravity,” and the attitude in “Take Me Or Leave Me,” to create a signature song worthy of the title.
Frozen is just really special, it’s hard to quantify. It isn’t exactly perfect, the story is clumsy and jumps around. Anna and Elsa as duel protagonists are underserved and undeveloped a little bit. The Hans twist seems to come out of nowhere. What’s the deal with the trolls? And Olaf is juuuussst over the line into annoying. But it as shaggy as it all is, it manages to hold together and be just wonderful.
Up next, let me know if you’re satisfied with your care, when we talk about Big Hero 6.