Tarzan has a weird distinction for me as a movie that I like perfectly fine but I know a ton about the production process of, even before I started tracking that sort of thing because it was released in the summer of 1999 and that was the first summer that my family had The Disney Channel.
The cable station had been around forever but that year our cable company shifted the package around so we finally had access to it. As life long Disney nuts, and you know, a ten and twelve year old girl, Mary and I were glued to it. Disney Channel was our default, “what do you want to watch?” choice. And because of that, we saw just about every “making of” clip available for Tarzan. We knew every song by heart before the movie came out, we knew that Phil Collins had the idea for “You’ll Be In My Heart” before he even started working on the movie, (He was writing about his daughter), and we knew that Tarzan’s movements were modeled after extreme athletes (skateboarders, snowboarders and surfers).
Outside of all that intimate knowledge was really loving the music. I think our transformation from pop loving giggling girls to prog rock teens is definitely marked here. (Obviously the Tarzan soundtrack is not actually Prog, but Phil Collins, as a former member of Genesis has that in his musical DNA). Also, we were in choir. If you were in choir from 1999 to 2010 you probably had to learn “Trashin’ The Camp” at some point. “You’ll Be In My Hear” got the Oscar, but I’ve always felt like “Son Of Man” is the really standout song of the pack. I’ve also always loved that they used the music as a soundtrack rather than a Broadway style cast album, (Except for “Trashin’ The Camp” which gives Rosie O’Donnell a stand out moment.) because it helps the episodic feel of the movie. It’s like a series of beautifully animated music videos, rather than a straight musical, kind of cool and creative.
My real affection for the music though, does not take away from the fact that Tarzan is pretty forgettable as a movie. It’s fun enough, the animation is clear and creative, but it’s just kind of there. It doesn’t do much of anything new with the Tarzan mythos, the characters aren’t particularly distinct (compare this to The Jungle Book, which is perhaps unfair, but you remember something about each animal Mowgli encounters.) and everyone feels like they’re just caught up in the story beats that they have go through in order to make a Tarzan movie. It actually made me think of the when I saw Spectre and Aless and I walked out going, “Well, that sure was a Bond movie, alright.” Nothing wrong with it, just nothing particularly right with it either.
I’m trying not to get to hyped about next week when we take on Fantasia 2000, because, I know it’s been a little while, but do you guys remember how fucking much I loved Fantasia?