Jo Jo Rabbit is a lovely movie. It’s trangressive as hell and wildly hilarious in places. (Sam Rockwell is a treasure and somehow knowing how great he is, and knowing how every time people talk about him they’re talking about how great he is, I still think he’s underrated.) There are a few things going on in Taiko Waititi’s satire that I think are worth discussing.
The whole movie is from the perspective of Jo Jo, a sad, lonely ten year old boy in Germany towards the end of World War II (the inevitability of Germany losing the war at this point hangs over the whole film) who idolizes Adolf Hitler and longs to belong, thinking he’ll find that belonging in the Hitler Jungon. Keeping the camera at JoJo’s height, only revealing for sure things that he knows for sure (we, as educated adult viewers can glean more nuance but it’s not in the text, deliberately and brilliantly.) makes the film more whimsical than it could be otherwise.
JoJo, like many kids, has an imaginary friend, unlike many other kids, his imaginary friend is Hitler. As JoJo’s perspective shifts, so do his interaction with Hitler, at first JoJo’s Adolf is a chummy cheerleader, by the end, he’s a bellowing lunatic. Waititi plays Hitler himself and it’s an interesting performance.
And then there’s the matter of Jojo’s ghost. His mother, Rosie (warmly played by Scarlett Johanson, in a role that she’s quite good in. I have mixed feelings on Johanson, who I think can be wonderful when a part suits her, but is limited as an actor) is working with the resistance and is hiding a Jewish teenager in their walls. JoJo learns this and decides rather than turn Else, the girl in, to use her to study Jews, and of course learns that she’s human.
JoJo Rabbit has it’s heart in the right place, is creatively shot, and masterfully performed. It addresses the really important issue of radicalizing youth, and how to break that programming. (While it is not the job of the oppressed to educate their oppressor, it is helpful for young people who’ve been radicalized to interact with those they previously considered themselves above to realize you know, we’re all human and stuff.)
Anyway, I was a big fan of the movie. I’m really looking forward to watching it again, actually, because I’m sure there’s more to analyze here.
- Once Upon A Time…In Hollywood
- Jo Jo Rabbitt
- Spider-Man: Far From Home
- Avengers: Endgame
- Detective Pikachu
- Zombieland: Double Tap
- Godzilla: King Of The Monsters
- Downton Abbey
Ford V Ferrari: I am so excited for this movie. I’ve mentioned before that, “well meaning adults who are good at their jobs” is one of my favorite genres, and I have a feeling this qualifies. Also, Matt Damon and Christian Bale getting to play smiling charmers is going to just be a hoot!
Knives Out!: It better be good. I want it to be good. It should be so so so so so good.
Doctor Sleep: Looking forward to this one too. I’m going to try to see it this weekend, but I make no promises.
A Hidden Life: I know Holocaust dramas aren’t always great, in fact they are often maudlin and difficult to watch. This looks kind of like that, but I’ve always enjoyed Terrence Malick’s work and also, I’ve been reading about Franz Jagerstatter in a superficial way since I could read. (Catholic culture can be weird) so seeing this story on the big screen will likely be worth it.