The Stationary Shop is the kind of book that is exactly what I would describe as my favorite kind. A historical fiction novel about a culture different from my own, about young people and lost love, and the way lives curve turn and intersect.
The Stationary Shop is the story of Roya, a sixteen year old high school student in Tehran in 1953, who falls in love with Bahman, a politically minded 18 year old of a slightly higher social class. They get engaged, the difficult politics of Iran and his mother’s disapproval eventually split them apart and Roya goes to America, lives a full life, always haunted by the lost love of her youth.
It’s a beautiful book and quick to read and consume, which is for the best with this kind of thing. It needs to either be fully epic, or readable in an afternoon. Also, Iran before the Islamic revolution is one of my favorite topics for explorations. (Thanks, Reading Lolita In Tehran!) Marjan Kamali invokes her Tehran beautifully, and Roya is a wonderful lead.
Like all of these kinds of books, there are generational secrets and abuse at play, manipulation and tragedy and life lived unfulfilled, but still lived. I don’t quite know what it is about these kinds of stories that really entrance me, but I do love them. The stories of those shining, glorious romantic moments that just can’t last, for what ever reason. (If you want a pure American example, I suggest Divine Secrets Of The Ya-Ya Sisterhood and Little Altars Everywhere) so I heartily recommend The Stationary Shop.
Up next is This One Summer by Jillian & Mariko Tamaki. It’s Comic Con week, so y’all are going to start seeing more and more graphic work creeping into things.