AKA – In Which We Reach a Logical Conclusion But Then Go On To Make Dean Miserable Forever (also we’re super gay now, but we don’t say it out loud)
After Season 5 of Supernatural, which made me realize a few things, namely, I consume way too many stories about angels, and binging these kind of long running shows cannot be good for my brain, I was ready to take a deep breath and dive into the beyond. I understood from my extensive research before diving into this project (Wikipedia, and one episode of This Is Rad.) that after Season 5, creator Eric Kripke walked away from the show, not in bad blood, just you know, because he’d told his story.
And what a story it was. About brothers, and family, and sacrifice. When Sam makes Dean promise to go live a normal life as he plunges himself and Adam into the pit to imprison Lucifer and Michael forever, my heart burst. What a lovely ending.
However, as someone who does consume a lot of fiction involving angels, there were some well worn tropes being used here that the show seemed to think they were pioneering. “God created the angels, and they were subservient. Then God created humans, and they were rebellious, and God liked them better. Lucifer decided to rebel, and then he got expelled. There’s hell now. Angels still jealous that God loves humans more than them. Also, God is missing or dead.”
Seriously, I have read a bunch of books. (His Dark Materials, The Mortal Instruments, Memnoch The Devil) seen quite a few movies (Dogma) and one masterpiece of American Theater (Angels In America) that told this story in some fashion. Now, don’t get me wrong, I love all those things, just, it didn’t strike me as particularly interesting or exciting.
Kripke gave it his personal touches though, and the relationships at play, particularly between Dean and Sam make it worth it.
Then Season 6. Oh, Season 6. Whether it’s Castiel fighting to literally rule heaven, but still answering Dean’s prayers at every possible chance, Dean attempting to be a hunter while having a relationship with Lisa and be a good step dad to Ben, or Sam coming back from hell without a soul, and becoming an interesting character for a change, there’s just so much goodness here, I can’t help but be overjoyed by it.
Oh, and did I mention, the gay? It’s all subtext. (Again, I get it, we never get the text.) But oh boy, there’s literally a scene where Castiel ties Sam to a chair and shoves a belt in his mouth, and I’m sorry, that’s just really really gay. Also, you know, Dean and Cas speak to each other like a dysfunctional couple all the time. And when it turns out Cas is working with Crowley and they break up, it’s more heartbreaking than the could have been with Jo (who deserved better) or Lisa’s rational dismissal of the love of her life. (ERASE HER MEMORIES THOUGH??? WHY????)
Maybe someday I’ll be a really important writer who’s life gets completely taken apart, and some student somewhere will write a paper on this time in my life, taking apart the tweets and text messages I sent to Aless freaking out, and they’ll conclude, “at this juncture, Nayden was deeply concerned that everyone understand how delightful it is when the character of Dean Winchester demands the character of Castiel ‘get out of his ass,’ a reference, one can assume to sodomy, common sexual practice among gay men.” (I don’t know why this student feels the need to explain butt sex, maybe they have a word count to meet.)
I also appreciated that Samuel, the guy’s grandfather was hanging around being vaguely antagonistic and helpful. Which is only amusing because he’s played by Mitch Pelleggi, and that’s basically Skinner’s whole deal throughout The X-Files.
Anyway, I’ll probably get through seasons 7 & 8 soonish – taking a break this week to rewatch Game Of Thrones, but we’ll get back on the horse.