Ready For Endgame: The Avengers

I remember when I first saw The Avengers I was underwhelmed. I’ve come to love it, really, but just, in that moment, I’d seen it all before. In my review of the movie, I laid out the ways director and writer Joss Whedon was playing his usual song in a new key here.

I understand that Cap relaying the battle plan was exciting and new to other people, but I’d seen Buffy do that six times. The iconic hero pose circle shot, which is wonderful was a more cinematic version of Angel’s “Let’s Go To Work,” final moment. (This single greatest end shot of a TV show ever.) Tony’s change of heart to fight the good fight alongside his friends had been handled by Mal Reynolds before.

So, while the novelty of The Avengers was lost on me, it’s that very profitability, the excellent execution of a formula I’m fond of, that’s made it hold up over the years, and my god, does it hold up.

The action is exciting, the team coming together, or not, is fabulous, the one liners delightful, and that final battle, is the stuff of legend.

But we’re not going to talk about that. I mean, we have. In the past. When I’ve written about The Avengers. Today, I don’t want to talk about that. I want to talk about Phil Coulson.

Phil Coulson was created for The MCU, meant to be a one off quick way to introduce SHIELD in Iron Man, he really took off when Jon Favreau liked working with Clark Gregg. Gregg was a long time Marvel fanboy and took the job at his wife’s (Jennifer Grey. They are my favorite C-List celebrity couple!) urging, saying when else was he going to get a job like this?  I’m a big fan of Gregg’s, because he’s in the Aaron Sorkin Repertory Company, and I’m convinced it’s that experience that convinced Whedon to make him the lynch pin here. The, “you lack conviction,” speech is straight out of the West Wing playbook. (Frankly, part of what I’ve always loved about Whedon is that he’s like Sorkin, but uses magic in his stories instead of patriotism.)

I was one of those people who was wrecked by Coulson’s death. All Whedon fans have their one that they’ll never forgiven him for. And I’ve gotten emotional over others. (I’m not made of stone, the phrase, “I am a leaf on the wind,” makes me gasp sadly. I too wish we had lived to see Winifred Berkle avenged, and Anya’s death in Xander’s arms is a real heartbreaker)  But Coulson is mine. (Yes he came back! But that took a while!)

Anyway,  Coulson, who’d already had some standout moments in the previous movies, really shines here before his death at Loki’s hands. His familiar banter with Pepper (I love that they were pals. Seriously.), his giddiness at Cap, his familiarity with Thor, it’s all of it hitting just the right notes.

I miss Phil Coulson. I mean, as much as anyone can miss a character that never really went anywhere, but I sort of fell out on Agents Of SHIELD a few years ago, I might catch up someday, but I have so many superhero shows to watch, and not all of them shitty WB relics or luke warm adaptations of my favorite comics characters either.

The Avengers is a stunning acheivement in franchise storytelling. What comes directly after is uh…less essential. Next week, we take on Iron Man 3 and Thor: The Dark World. One is a delightful action movie throwback that I love, the other, I got kinda bored and watched a bunch of Lonely Island Videos in the middle of.  Guess which is which!

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