When I lose inspiration or the drive to create, there are lots of things I do. I watch Julie And Julia, or listen to Kevin Smith talk on one of his podcasts or specials, or sometimes I just take a break from creating and consume because I’m tired.
But in the past few months, I’ve found a new one to add to the rotation. And that’s [title of show] which I had vague memories of from my college fading theatrical obsession days (it opened on Broadway in 2008, I for sure watched a few you tube clips of it, but never saw it) and it came roaring back to me as something I needed in my life when the podcast that is my soul This Is Rad did an episode about it and I listened through the cast album.
[title of show] is a musical about writing a musical, and it’s whacky and silly and perfect and lovely and everything about it is great.
But it wasn’t until I posted a video of the particularly funny and insightful “Die Vampire Die” on a friend’s blog post about feeling creatively blocked that I realized how much in the past few months I’ve come to rely on [title of show]’s viewpoint to keep myself moving creatively.
Particularly I’ve been thinking about “Air Freshener Vampires” and the “Vampires of Self Doubt” which require you to sanitize your work and remind you that you’re not good enough anyway so just give up. (And to fight them, remember that if you clean up too much you’ll wind up with a tight paragraph about kittens that your grandmother will just love, and that if a stranger said those kinds of things to you, you’d think they were a mentally ill asshole)
I’m pouring a lot of my heart and soul into The Marina Chronicle, more than I even thought I would previously. That said, it’s not necessarily yielding the kind of returns I’d hoped for. (But that all of my closest friends are reading it totally warms my heart. Love you girls to bits!) And that was discouraging until I remembered that I’d rather be nine people’s favorite thing than ninety nine people’s ninth favorite thing.
That is, I’d rather my original vision speak to only a few people than water it down or change it to make more people like it.
I wanted to write One Tree Hill in Westeros (not exactly, but that’s the gist!). I wanted to focus on the myriad of complicated threads that hold teenage girls who love one another deeply together. I wanted to talk about family, and heartbreak and getting what you want and realizing that it wasn’t what you wanted after all.
Most of all I wanted to create these girls. These infuriating, beautiful, powerful girls who are in control of their own lives and fates. These girls realizing that they have to forge their own path, because the carefully laid out plans of their lives don’t make sense to them, or are gone for whatever reason. That’s who Marina and Annalise are to me, and I won’t compromise on that, not for a minute.
And when that doesn’t work and I still have writers block, I remind myself that writing should be easy, like a monkey driving a speedboat.
Also! Read my thing. Next week is going to start an excellent jumping on point! (And a reprieve if Marina’s boy whining and Daddy worrying is not your thing!)